Heapsgood Productions Gear
The RED EPIC X is a production equipped cinema camera, delivering up to the following: 1–120 fps @ 5K; 1–150 fps @ 4K; 1–200 fps @ 3K; and 1–300 fps @ 2K. This camera delivers cinema quality images. A fantastic A-Cam for productions that demand high resolution imagery. Great for feature films, music videos and commercial work.
DZOFilm Pictor Zoom 20-55mm T2.8
Professional Cinema Zoom Lens with interchangeable native PL & EF mounts.
Carl Zeiss ZE Classic Lenses
Distagon T* 15mm f/2.8, Distagon T* 21mm f/2.8, Distagon 28mm f/2, Distagon 35mm f/2, Planar T* 50mm f/1.4 & Planar T* 85mm f/1.4
Voigtländer EF Lenses
Voigtländer 20mm, f/3.5 Color Skopar SL, Voigtländer 28mm f/2.8 Color Skopar SLII, Voigtländer 40mm 2.0 Ultron
Anamorphic & Vintage lenses
Vintage Sankor 16c 2x Anamorphic & in M42 Mount to EF, Zenit Helios-44-2 58mm f/2, Jupiter-9 85mm f/2, MIR-1B 37mm f/2.8, Industar-50 50mm f3.5, & E. Ludwig Meritar 50mm f/2.9, Pentacon 50mm & 29mm.
Atomos SUMO 19: Live Multi-cam capture with 4x SDI-HDI Inputs; colour correction on set and in post workflow; and HDR monitoring and workflow. This monitor can be used for livestreaming or multicam set up to 4 cameras with ISO recording.
Shure FP24 mixer, Zoom h4n and h1, 2x broadcast XLR standard Microphones: NTG3 & NGT2; Røde Wireless Go II, Filmmaker Kit, Lav-mics, as well as Shotgun / Stereo mics with 3.5mm jack alternatives.
2x Kino Flow Diva 4 Bank ; Nanlite Forza 500 w/ Fesnel ; Nanlite Forza 60 with Softbox ; 3x Nanlite Pavo tubes RGBW